Zap! Bam! Zowee!

If visual art made a noise, that’s what Colin Christian’s hyper-realistic, fetishistic, ComicCon and cinema saturated statues would sound like.  These figurative sculptures, on view in “Colin Christian: Cosplay” through September 8 at the Vered Gallery in East Hampton, effectively conjure the psychedelic sci-fi aesthetic of the 1960s and ’70s—shiny, loud, cartoonish and anime. 

The title of the show, “Cosplay,” is a conflation and abbreviation of “costume play.” Brought to 3D life in Christian’s life-size and larger than life fiberglass and silicone and LED light-infused works, these fembots—to borrow the appropriate “Austin Powers” and “Bionic Woman” term—straddle a wicked line between art and mass production toys for big boys. 

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